Are you hungry for honest, constructive feedback on your fiction? Do you long to be part of a community of writers dedicated to helping one another render (shape, enrich, and enliven) a story the best it can be?
In this three-week class, we’ll find and collect words and passages from other pieces of text and mix these and our own words together to experiment with new voices, phrasings, and vocabularies in our own poems
In this remote class you will plunge into the personal themes that make your real life stories uniquely yours. In the first half of this class, instructor Alison Luterman will give you writing exercises carefully designed to elicit the undertones and overtones that elevate events and anecdotes into the realm of art
Have a finished story draft but don't know where to take it next? Or maybe you have an idea for a story but don't know how to get it on the page. In Advanced Fiction Workshop, students will generate new material and refine already drafted stories
“Whether you’re submitting poems to journals or putting them together for a book,” says instructor Lisa Gluskin Stonestreet, “learning how to order and present your work can give you a deeper understanding of how that work is received – and of what sets your poems apart
In this 5-week process class we will dissect the intricate concepts of how emotions are developed in fiction and creative nonfiction, and master how to recognize and apply narrative craft that develop dramatic emotions in ways that can move our readers
“Writing memoir is like being a miner, shining a light into the nooks and crannies of our lives,” says instructor Katharine Harer. “We think we know what we'll find, but we're often surprised by the depth and complexity we uncover
Instructor Jessica Litwak says, “I started out my working life as an actor, so I write and teach writing from the inside, embodying story and character with passion, specificity and joy. I work to inspire and guide my students towards strong and clear written expression, particularly through character and dialogue
Got an idea for a novel, a movie or a TV series? “That’s great!” says instructor Kate Montgomery. “Now it’s time to roll up your sleeves and organize it into a layered, well-structured story that’s engaging from start to finish
In this online class we'll look at examples of short pieces from practitioners such as Lydia Davis and Russell Edson, and we’ll explore how to incorporate techniques like free association and juxtaposition into our work. Then we'll write, share, and write some more