“We’re living in a binge culture,” says instructor Kate Montgomery. “If we find an author we like, we read their entire backlist. If we discover a show we enjoy, we binge multiple seasons. Publishers and producers, who buy novels and screenplays, understand the demand for this kind of storytelling and are always in the market for new material
In this online class we'll look at examples of short pieces from practitioners such as Lydia Davis and Russell Edson, and we’ll explore how to incorporate techniques like free association and juxtaposition into our work. Then we'll write, share, and write some more
In Creative Nonfiction Workshop, students will share drafts of their own personal stories and workshop them through an inquiry-based approach that emphasizes exploration and discovery
If you’ve been writing for a while, especially if you’ve participated in Round Robin classes, you’ve likely amassed bits of stories, essays, and poems, promising pieces that you haven’t developed further or don’t quite know how to expand. In this 6-week class, we’ll build from those starts, fragments, and sketches to create more fully realized works of art
“Whether you’re working on a novel or shorter fiction, the Three D’s are essential,” says instructor Lisa Moore Ramée. “This class will give you tips on how to create descriptions of a world and the characters in it, dialogue that rings true, and dramatic scenes with gripping conflict
For beginning through more experienced writers, this class aims to demystify the sometimes confusing process of getting published while offering real-world insights and inspiration for success
This class is a hybrid take on the traditional workshop model, and while the workshop will be a major component of every class, writers will also have space to generate new material in class
To write our best, we must write from the heart. But finding which subjects mean the most to us can be difficult. Each week Ray Hsu will lead you through a series of fun, engaging, and effective exercises to help you discover and explore the deep and most compelling themes in your life
“Ever since I began writing, I’ve been fascinated by the short story form,” Jennifer Lewis says. “You can read a short story from beginning to end in one sitting. I love the immediacy and resolve, the feeling of completion with an economy of words
In this 3-week class, we'll look at poems by risk-taking poets like Diane Seuss, Danez Smith, and Chen Chen, among others. We’ll use these poems as jumping-off points for our work, doing prompt-driven writing inspired by what we find there