“We’re living in a binge culture,” says instructor Kate Montgomery. “If we find an author we like, we read their entire backlist. If we discover a show we enjoy, we binge multiple seasons. Publishers and producers, who buy novels and screenplays, understand the demand for this kind of storytelling and are always in the market for new material
In this 3-week class, we'll look at poems by risk-taking poets like Diane Seuss, Danez Smith, and Chen Chen, among others. We’ll use these poems as jumping-off points for our work, doing prompt-driven writing inspired by what we find there
In this 5-week process class we will dissect the intricate concepts of how emotions are developed in fiction and creative nonfiction, and master how to recognize and apply narrative craft that develop dramatic emotions in ways that can move our readers
“The best way to learn anything is to DO it,” says instructor Kate Montgomery. “In this fun, informative boot camp, you'll get into the process right away. With an interactive mix of lecture, discussion, screenings, and group and individual writing exercises, you’ll learn and apply the basics of professional screenwriting
In this online class we'll look at examples of short pieces from practitioners such as Lydia Davis and Russell Edson, and we’ll explore how to incorporate techniques like free association and juxtaposition into our work. Then we'll write, share, and write some more
“When people ask me for advice on submitting creative work,” says Amy G. Latham, published writer and literary journal editor, “I tell them to cast a wide net and have plenty of patience. Every writer collects more rejections than acceptances, but those who stay the course will find homes for their writing