In this remote class you will plunge into the personal themes that make your real life stories uniquely yours. In the first half of this class, instructor Alison Luterman will give you writing exercises carefully designed to elicit the undertones and overtones that elevate events and anecdotes into the realm of art
In this 5-week process class we will dissect the intricate concepts of how emotions are developed in fiction and creative nonfiction, and master how to recognize and apply narrative craft that develop dramatic emotions in ways that can move our readers
If you’ve been writing for a while, especially if you’ve participated in Round Robin classes, you’ve likely amassed bits of stories, essays, and poems, promising pieces that you haven’t developed further or don’t quite know how to expand. In this 6-week class, we’ll build from those starts, fragments, and sketches to create more fully realized works of art
In this online class we'll look at examples of short pieces from practitioners such as Lydia Davis and Russell Edson, and we’ll explore how to incorporate techniques like free association and juxtaposition into our work. Then we'll write, share, and write some more
Got an idea for a novel, a movie or a TV series? “That’s great!” says instructor Kate Montgomery. “Now it’s time to roll up your sleeves and organize it into a layered, well-structured story that’s engaging from start to finish
For beginning through more experienced writers, this class aims to demystify the sometimes confusing process of getting published while offering real-world insights and inspiration for success
In this remote class you will plunge into the personal themes that make your real life stories uniquely yours. In the first half of this class, instructor Alison Luterman will give you writing exercises carefully designed to elicit the undertones and overtones that elevate events and anecdotes into the realm of art
You have a story to tell—maybe you’ve drafted it, revised it once or twice, and still something feels off. The language doesn’t quite sing, and you’re not sure which techniques will bring it fully to life. “Good prose fiction doesn’t write itself,” says instructor Andy Touhy. “And it can’t move your readers to feel unless it’s crafted well
“Have you always wanted to write but are stumped by the way to tell your own story?” asks instructor Jennifer Lewis. “In this remote class, by exploring different types of creative nonfiction, you will find the unique way to bring your story to life”
“We’re living in a binge culture,” says instructor Kate Montgomery. “If we find an author we like, we read their entire backlist. If we discover a show we enjoy, we binge multiple seasons. Publishers and producers, who buy novels and screenplays, understand the demand for this kind of storytelling and are always in the market for new material