Instructor Jessica Litwak says, “I started out my working life as an actor, so I write and teach writing from the inside, embodying story and character with passion, specificity and joy. I work to inspire and guide my students towards strong and clear written expression, particularly through character and dialogue
“Writing doesn’t have to be a labor of love,” says instructor Kilby Blades. “It can be deeply rewarding on many levels. It’s time for us to reject the starving artist narrative and embrace that there is money to be made
In this five-part series, we’ll discuss how to get to your first-draft finish line if you’re stuck, how to become a better self-editor using troubleshooting and problem-solving techniques, and how to know when your work is ready for other people to read
Absence of any kind can often overwhelm us, rendering us silent. But as writers, we have tools at our disposal with which we can approach these empty spaces—and the empty page
“This intensive workshop is designed for poets seeking to elevate their craft and hone the art of revision,” says instructor Thea Matthews. "'Be Bold’ will provide a safe, constructive environment for students to feel empowered and to seek endless possibilities with their poetry
“Writing plays and screenplays is a form of storytelling that merges poetry and engineering,” says instructor Jessica Litwak. “We create poetry with the specific impediments, accents, rhythms, and cadences in the voices of our characters. We engineer our stories with structural foundations, dramatic arcs, scenes
“Have you ever wanted to write a poem in response to a photograph or a painting? What about a film?" asks instructor Thea Matthews. "This class is designed to stretch your creativity and bring out the joy in your creative process
“Comedy is fragile,” says instructor Kate Montgomery. “One extra word can ruin a laugh. But the truth is, just about anyone can be funny, once they know how it’s done
Instructor Elaine Beale says, “The best writers create stories that resonate long after a reader has finished the final page. To do this, you have to be willing to go the places that may feel uncomfortable or complicated, to be both brave and curious
In this online class we'll look at examples of short pieces from practitioners such as Lydia Davis and Russell Edson, and we’ll explore how to incorporate techniques like free association and juxtaposition into our work. Then we'll write, share, and write some more