In this remote class you will plunge into the personal themes that make your real life stories uniquely yours. In the first half of this class, instructor Alison Luterman will give you writing exercises carefully designed to elicit the undertones and overtones that elevate events and anecdotes into the realm of art
In this online class we'll look at examples of short pieces from practitioners such as Lydia Davis and Russell Edson, and we’ll explore how to incorporate techniques like free association and juxtaposition into our work. Then we'll write, share, and write some more
In this remote class you will plunge into the personal themes that make your real life stories uniquely yours. In the first half of this class, instructor Alison Luterman will give you writing exercises carefully designed to elicit the undertones and overtones that elevate events and anecdotes into the realm of art
You have a story to tell—maybe you’ve drafted it, revised it once or twice, and still something feels off. The language doesn’t quite sing, and you’re not sure which techniques will bring it fully to life. “Good prose fiction doesn’t write itself,” says instructor Andy Touhy. “And it can’t move your readers to feel unless it’s crafted well
"Form in poetry is like a jungle gym which can give structure to the swinging impulses of your mind and strengthen and lengthen your poetic muscles," says instructor Alison Luterman
In this online class we'll look at examples of short pieces from practitioners such as Lydia Davis and Russell Edson, and we’ll explore how to incorporate techniques like free association and juxtaposition into our work. Then we'll write, share, and write some more