In this half-day class, we’ll use writing exercises, group discussions, and brief readings to unlock stuck places in work that you’ve already drafted. We'll specifically focus on point of view and the power of first-person to create intimacy and insight

Whether you’re writing fantasy, sci-fi, dystopian and post-apocalyptic fiction, horror, or alternate history, all of these different genres share one important thing in common—the reader needs to fully believe in a world completely manufactured by the writer

Instructor Elaine Beale says, “The best writers create stories that resonate long after a reader has finished the final page. To do this, you have to be willing to go the places that may feel uncomfortable or complicated, to be both brave and curious

“As screenwriters, we tend to work alone for protracted amounts of time in silence, but when we’re hard at work on a script, it’s invaluable to get encouragement and feedback to keep us on track,” says instructor Kerry Muir

"In the past 5 years, the microchapbook has emerged as a popular form in the digital age," says instructor Alan Chazaro. "It is smaller than the chapbook, yet longer than a journal submission, allowing for the poet to zoom into miniature thematic threads and develop a voice in a matter of 10-13 pages