"All humans are sexual beings and writing about sexuality is simply writing about life,” says instructor Jennifer Lewis. This 5-week class will be a safe space to explore intimacy, desire, obsession, and trauma through writing
In this class, you'll develop concrete skills and narrative techniques through fun writing exercises designed to help you master your craft. At the end of five weeks, you'll have a better grip on how to use these techniques (for developing character, setting, and plot) as tools for building your story
“By writing memoir and personal essays, we give form to our histories and make something of meaning and beauty that is uniquely ours,” says instructor Katharine Harer. "I love this genre because you can be yourself, complete with your idiosyncrasies, strong opinions, flashes of wisdom and crazy moments
Love. Loss. Transformation. These themes are so integral to the human experience that writers have returned to them again and again for centuries. In this workshop we’ll explore a different theme each week
This class—which will be capped at just 9 participants—will offer advanced fiction writers the opportunity to submit two new pieces of fiction and one revision and to receive rigorous, supportive, and constructive feedback on all three
“Do you have the urge to write, but no clues about how to start? Or maybe you’ve been working on a piece of writing, but suddenly you’re stuck? Well, this one-day workshop is all about getting started
The Writing Salon Monthly Meetup is designed to provide an intentional and facilitated space to help you keep a finger on your own creative pulse. At the same time, you'll have the opportunity to engage with a community of other like-minded writers
"Poets in every stage of their career, and often on a regular basis, struggle with where and how to start a poem,” says instructor Brian Tierney. “I’ve found that creating boundaries for the writing process is a good way to spark inspiration and creativity
“What drives many of us to write is the simple human need to express ourselves,” says instructor David Jacobson. “There may be no better way to meet that need than by presenting a point of view
“What makes a story compelling?” asks instructor Andy Touhy. “More importantly, what are the ways to make it compelling? In this workshop, we’ll begin to really think about how to tell a good tale (short story or novel)