In this class you will plunge into the personal themes that make your real life stories uniquely yours. In the first half of this class, instructor Alison Luterman will give you writing exercises carefully designed to elicit the undertones and overtones that elevate events and anecdotes into the realm of art
Do you feel you have a story inside you, but you’re a little leery of getting thrown in the deep end? In this class, you’ll gently wade into the vast sea of memories and experiences you’ve been carrying around for your whole life
“Are you sitting on a fantastic story idea for the screen?” asks instructor Kerry Muir. “In Intro to Screenwriting, get ready to set that idea into motion." In this five-week class, you will learn the fundamentals of narrative screenwriting in a low stress, supportive environment
“Everyone, at every level,” says instructor Andy Touhy, “needs a second pair of eyes, a guiding hand, and an array of re-visioning techniques when it comes to next steps with raw or overcooked material." So in this five-week course, we’re going to have a re-vision party
Learning the craft of writing takes a lot of time. With so many demands on your energy you’d like to take some shortcuts. You want to take the fast track to becoming a better writer. This workshop is designed to help you do just that
The Writing Salon Monthly Meetup is designed to provide an intentional and facilitated space to help you keep a finger on your own creative pulse. At the same time, you'll have the opportunity to engage with a community of other like-minded writers
This class will focus on creating a community space for writers to reimagine their own material, to read contemporary and classic poems, to discuss elements of poetic craft, and most importantly to generate “new” work by way of revision
How short can a story be? Consider Ernest Hemingway’s six-word classic: "For sale: baby shoes, never worn." A tale told quickly can offer untold riches, which swell inside a reader long after the telling
“What makes a story compelling?” asks instructor Andy Touhy. “More importantly, what are the ways to make it compelling? In this workshop, we’ll begin to really think about how to tell a good tale (short story or novel)
“So many of us think we should be able to sit down and write perfectly crafted sentences, paragraphs and stories without writing those raw first drafts,” says instructor Elaine Beale. “But the fact is that our ‘raw writing’ is not only necessary, it’s actually a lot of fun