“Over the years, I've learned that plot is one of the most mysterious elements of the art of fiction,” says instructor Nina Schuyler. "Some writers think a plot is written by formula. Not true! Plot rises out of your characters and your ideas
“Have you always wanted to write but are stumped by the way to tell your own story?” asks instructor Jennifer Lewis. “In this remote class, by exploring different types of creative nonfiction, you will find the unique way to bring your story to life”
If you’ve been writing for a while, especially if you’ve participated in Round Robin classes, you’ve likely amassed bits of stories, essays, and poems, promising pieces that you haven’t developed further or don’t quite know how to expand. In this 6-week class, we’ll build from those starts, fragments, and sketches to create more fully realized works of art
In this generative class, we’ll explore how constraints may inspire both poetry and prose. We’ll look at examples by writers who use these techniques, then engage with inventive writing exercises, freeing our own imaginations
Celebrating over 20 years at The Writing Salon, this workshop keeps drawing people who want to jumpstart their poetry practice and to keep the engine oiled
Got a great idea for a binge-worthy TV series? In this 3-week class, you’ll learn what goes into writing an original series and how a strong pilot and pitch can land you a writing job on an existing series
In this online class we'll look at examples of short pieces from practitioners such as Lydia Davis and Russell Edson, and we’ll explore how to incorporate techniques like free association and juxtaposition into our work. Then we'll write, share, and write some more
For 25 years, The Writing Salon has used the power of writing prompts to coax out writers’ work in its raw form—work that would later become novels, personal essays, poems. Write Now! will showcase a Writing Salon teacher’s favorite paths to the source of inspiration
In this remote class, you'll develop your skills through reading published writers, discussing the fiction writer’s craft, and doing fun writing exercises. At the end of three weeks, you’ll not only have a better grasp of what it takes to write good fiction, but you’ll also explore the magic of your own imagination
"If you’re craving some constructive, insightful feedback from a supportive group of fellow writers, it’s time to dip your toe into the workshop," says instructor Steve Mitchel