Fiction

“Everybody loves heroic characters, those avatars of virtue who can do no wrong as they smile through perfect teeth and find solutions to every problem via indomitable spirit and/or iron will,” says instructor Jeff Chon. “But what is it that makes Sherlock Holmes, often seen as insufferably arrogant, compelling... more

"If you’re craving some constructive, insightful feedback from a supportive group of fellow writers, it’s time to dip your toe into the workshop," says instructor Steve Mitchel... more

“Ever since I began writing, I’ve been fascinated by the short story form,” Jennifer Lewis says. “You can read a short story from beginning to end in one sitting. I love the immediacy and resolve, the feeling of completion with an economy of words... more

In this 5-week process class we will dissect the intricate concepts of how emotions are developed in fiction and creative nonfiction, and master how to recognize and apply narrative craft that develop dramatic emotions in ways that can move our readers... more

How short can a story be? Consider Ernest Hemingway’s six-word classic: "For sale: baby shoes, never worn." A tale told quickly can offer untold riches, which swell inside a reader long after the telling... more

“Genre fiction includes many types of books: sci-fi, mystery, horror, romance,” says instructor Kilby Blades. “All of these books carry one commonality: readers know how they will end. In fact, readers choose genre fiction in order to be taken on exciting, predictable journeys... more

Writing a novel can be a lonely business! If you want to start a novel or you’ve got a novel in progress, this class provides guidance, inspiration, and support... more

“Everybody loves heroic characters, those avatars of virtue who can do no wrong as they smile through perfect teeth and find solutions to every problem via indomitable spirit and/or iron will,” says instructor Jeff Chon. “But what is it that makes Sherlock Holmes, often seen as insufferably arrogant, compelling... more

In this five-part series, we’ll discuss how to get to your first-draft finish line if you’re stuck, how to become a better self-editor using troubleshooting and problem-solving techniques, and how to know when your work is ready for other people to read... more

“What makes a story compelling?” asks instructor Andy Touhy. “More importantly, what are the ways to make it compelling? In this online workshop, we’ll begin to really think about how fictional narrative (short story or novel) is constructed, and made better... more