“You can read all the how-to books and ask your friends and family for feedback. But if you’re serious about getting produced or published, you will ultimately need professional guidance,” says instructor Kate Montgomery...more

“Concise, intense, and urgent, flash fiction sits at the crossroads of storytelling and poetry,” says instructor Jennifer Lewis. “Flash pieces are designed to elicit a strong emotional response in a single sitting, often capturing a moment, an epiphany, or a turning point...more

“In fiction, there are no limits to how far we can push our characters and the worlds where they reside,” says instructor Ann Guy. “This freedom allows us to explore every facet of experience, past, present, or future, on or off the planet. Where will your imagination take you?...more

In this 5-week process class we will dissect the intricate concepts of how emotions are developed in fiction and creative nonfiction, and master how to recognize and apply narrative craft that develop dramatic emotions in ways that can move our readers...more

In the Writing Salon’s Feedback Circle classes, students will gain a vision and vocabulary to make craft decisions in creative pieces, for both early drafts and developed work, and to guide classmates through their own process. While there will be some generative writing activities in class, the bulk of time will be spent sharing creative pieces and giving and receiving feedback...more

“Big Secret Number One to writing fiction is that you have to make a mess. Many messes,” says instructor Steve Mitchel. “You have to throw truckloads of words down onto the page knowing full well that most of them will end up in the compost...more

How short can a story be? Consider Ernest Hemingway’s six-word classic: “For sale: baby shoes, never worn.” A tale told quickly can offer untold riches, which swell inside a reader long after the telling...more