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Screenwriting Workshop – How to write a calling card script

Nine Sundays, Oct. 17-Dec. 19 (skip Nov. 21), 7-9:30 pm
$335 members/$365 non-members Berkeley


“At some point, every produced screenwriter, whether working in Hollywood or in the Independents, wrote a “calling card” script – the one that got them noticed and out of the slush pile on to the production list,” says Terrel Seltzer. “In this class I’ll give practical, de-mystifying advice from a veteran screenwriter’s experience, focusing on three crucial elements to help aspiring writers get a foot in the door: 1) Concepts that sell: the need for a “strange attractor,” which is often called “the high concept idea,” 2) Characters that actors will vie to play: “structuring both the outer journey (physical plot) and the inner journey (emotional arc) of your protagonist hero, and 3) Conflict: how to get it, because a screenplay has to have it (and most beginner’s scripts don’t).

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” . . . Terrel Seltzer’s wonderful class . . .”

I was in your Intro to Screenwriting class with Terrell Seltzer.  I wanted to provide some feedback.  I enjoyed the class very much. Terrell was so good and a wonderful teacher and resource. The six hours flew by. She is supportive, insightful, experienced and very intelligent. I could tell she was a good screenwriter.  I wanted to thank you for providing this opportunity to the community.  I really appreciate your school and what you are doing by bringing these talented people to come and teach.  Thank you for that!

And thanks again for having the Writing Salon. It’s a very special place!

Warm regards,
Carol

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