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Kudos for Jess Wells

Hi Jane,

I just wanted to tell you how great Jess’ short story class, Powerful Short Stories, was yesterday.  It was exactly what I was looking for!

We talked about the differences in content and structure in short stories vs the novel.  We discussed how novel focus more on emotion and character and short stories focus more on theme and plot.  We talked about how every character in the short story somehow expressed the theme or relates to the theme in a different way.  We talked about keeping our characters limited to 3-4. And we discussed how the plotting is different in the short story as well.  It sort of all came together for me.  Now I just have to write it! (The easy part right?).

We also workshopped the stories we’re working on then worked through the seven basic questions as they apply to our stories.  We even talked about the history of the short story.

Anyway, I highly recommend this class and Jess as an instructor.  I always feel more creatively motivated when I take classes from her.  She is also very adept at interweaving positive feedback with what we need to improve on in our work.  That, at least for me, is really important, especially as a beginning writer.  She knows her stuff and she knows how to explain it well. So hats off to Jess and the short story class! (And the other classes she teaches, such as her Historical Fiction class).  I hope it’s offered again.

Thanks,
Reed Graner

Powerful Short Stories: Putting Together the Components (Berkeley)

Saturday, 10 am to 4 pm (not currently scheduled)
$95 members/$110 others  Berkeley

Bring your most tangled mess of a story, or your rats-nest of plot lines, or a dead-end tale you hope to revive, and instructor Jess Wells will help you get better at putting together the components of a great short fiction story. Your goal for the day: to work together to find the core theme of each of your pieces, the movement of your character’s growth, and the plot.

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Writing While Working a Full-Time Job – Making Room for Creativity (Berkeley)

Saturday, Feb. 4th, 10 am to 4 pm   Berkeley
$95 members/$110 others

Testimonial for Jess

Whether you’re a beginning writer or a veteran, there’s a way to carve out time for your writing and get it done. In this class, instructor Jess Wells will lead you through a series of worksheets that will help you scrutinize the activities that are most likely to kidnap your creative life. You’ll look closely at where and how you waste time, and also at how you misallocate your writing time.

“We’ll find the little hidden pockets of time and reclaim them for your art,” says Jess. “We’ll be honest about the fear that holds us back, we’ll laugh over the tricks that the procrastinating mind invents, and we’ll look at how famous writers such as William Carlos Williams, EE Cummings and Anthony Trollope accomplished a great deal with very little time.”

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Settings that Work Hard for Your Story – How to create and control them

Five Weeks, variable days/times
$185 members/$215 non-members
Berkeley

Setting in fiction plays an important role in theme, plot, and even characterization. Whether your write sci-fi, romance, historicals, erotica, thrillers, mysteries, or literary fiction, the setting can make or break your story. “Setting is not a simple backdrop, like a green screen on which a film is shot,” says instructor Jess Wells. “It’s no accident that your intrepid hero has to ride through a narrow mountain pass: it’s the way you force friend and foe into a meeting.  It’s helpful that your main character is the village doctor, hosting family after family during their crisis in a little room in the front of the house. Even the relentless dark and biting wind of a distant planet illustrates both the physical challenges facing the colony of scientists, as well as their brooding cruelty to one another.”

How do you create well-drawn, complex settings that will do justice to your fictional world?  What elements go into the creation of effective, efficient settings that work hard for your story? How can a setting be drawn in a way that adds to the challenges of the protagonist’s quest? How can a setting allow the you, the author, to control the movement of your characters and to introduce a diversity of characters and events?

“We’ll look at the opening pages and/or the maps of a slew of well-known books from different genres,” says Jess, “including The Lathe of Heaven, Hitchhiker’s Guide to the Galaxy, Red Dwarf, Perfume: Story of a Murderer, The Hobbit, and The World Beneath.

“And then for fun, we’ll take a free-form map and create a world ‘setting’ of our own. Once we’ve gained a greater appreciation of the artfulness that the creation of a great setting requires, we’ll tip our hats to the amazing power of all the wonderful fictional settings that transport us, transfix us, and even let us smell the flowers of a foreign land.

Jess Wells has published more than sixty short stories and three novels, including The Mandrake Broom, a historical that dramatizes the fight to save medical knowledge during the witch-burning times in Europe 1465-1540.  Her first novel, AfterShocks, is a modern psychological drama set immediately following an 8.0 earthquake in San Francisco.  And The Price of Passion, her second novel, is literary erotica following a woman’s journey around the world. In each volume, setting is an important component of the story. Jess is a recipient of a San Francisco Arts Commission Grant for Literature and a four-time finalist for the Lambda Literary Awards.

Writing Historical Fiction – Explore the challenges & rewards!

One Saturday, 10 a.m. to 4 p.m.   Berkeley and SF
$95 members/$110 non-members

Whether you’re intrigued by Norse settlements, your own grandmother’s journey to America, or an imaginary character from a far-away time, historical fiction can be an enchanting new outlet for your writing. This introductory workshop will help you discover the unique requirements of writing historical fiction, and set you up for a successful journey into a popular new genre.

Says instructor Jess Wells, “We’ll look into how to research and when to stop researching, how to create credible characters without arcane dialogue and, most importantly, how to choose a historical era that excites your imagination. I’ve chosen to focus on the Middle Ages because I’m fascinated by inventions that change the way people live, and this era was filled with watershed moments. Of course, the gorgeous fabrics and remarkable settings don’t hurt, either.”

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Writing Historical Fiction – Explore the challenges & rewards! (San Francisco)

Five Saturdays, Feb. 25-March 24, 10:30 am to 1 pm
$185 members/$215 non-members   San Francisco

Testimonials for Jess

Whether you’re intrigued by Norse settlements, your own grandmother’s journey to America, or an imaginary character from a far-away time, historical fiction can be an enchanting new outlet for your writing, transporting you and your writing into worlds that are incredibly fun to create.

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