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Commercial Fiction: Writing the popular page-turner

5 Tuesdays, Oct. 12-Nov. 9, 7-9:30 p.m.    
$185 members/$215 non-members        San Francisco


“Suspense writers, present and future: Remember you are in good company. Dostoyevsky, Wilkie Collins, Henry James, Edgar Allan Poe…there are hacks in every kind of literary field…Aim at being a genius.” —Patricia Highsmith

In this workshop, you’ll hone your skills at writing commercial fiction—romance/chicklit, mystery/detective, science fiction/fantasy—that aren’t always given the credit they deserve. “If ghosts and witches, lost loves and conflict were good enough for Homer, Shakespeare, and Dante,” says Nick Mamatas, “they’re good enough for me. A genre is like a toolbox—good writers go beyond formula and use the tools of their trade to build and make real what nobody else could imagine.”

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