9 Mondays, April 3 – June 5 (skip May 29), 7-9:30pm
$445 members/$475 non-members
Testimonials for Alison
In this class you will plunge into the personal themes that make your real life stories uniquely yours. In the first half of this class, instructor Alison Luterman will give you writing exercises carefully designed to elicit the undertones and overtones that elevate events and anecdotes into the realm of art. In the last half of class, Alison will guide you through workshopping and refining the pieces you have begun.
“Every one of us is neck-deep in the middle of our own long and winding stories, stories that, when shared, can help us bridge the gap between ourselves and the rest of the world,” says Alison. “What’s wonderful about finding and honing these stories – about being a writer, in fact, is that…it redeems everything, even the moment of burning shame when you flunked the driving test three times, even the fact that you could never decide what you wanted to be when you grew up. It reminds you that once you were twenty and limber and unafraid to sleep in the cornfield when hitchhiking across France. And, like the smell of fresh coffee or a first kiss, it heightens the senses. We’ll workshop your essays or memoir excerpts from the standpoint of craft, voice, and structure, using the techniques of fiction writing, playwriting, and even poetry to enliven your writing.”
has been shamelessly telling tales from her own life ever since she could grip a sweaty pencil. She has published essays in The Sun, Modern Love, L.A. Review, Radiance, Response, The East Bay Express, The Boston Phoenix
. She has also written an e-book of essays entitled Feral City
, about midlife domestication, remarriage, and second chances (available from SheBooks
). Alison is also the author of three books of poetry: The Largest Possible Life
, See How We Almost Fly
, and Desire Zoo
. Last but not least, she writes plays, including Saying Kaddish With My Sister, Glitter and Spew,
and a musical, The Chain.
Visit her website
for more details.